A few years ago, I had a great idea…well, I thought it was. Why not set up a local group to help writers become self-published; offering advice on the creative writing process, the editing process, and the publishing process? I went through the motions of advertising, finding a venue, and paying for it. I had received enough enquiries from interested parties to make it worth my while, and so I prepared everything for the first session.
The day arrived. I took myself off to the venue, set myself up, and waited in anticipation for my ten students to present themselves… Only two people turned up. To say that I was disappointed was an understatement. Also, the community building where I had booked the room had a rumba class in the adjoining main hall, which for the first half-hour of my two-hour session was somewhat distracting. All that the three of us could hear was loud distorted music and the yells from the tutor; not to mention the boom-boom that vibrated through us. It was not ideal, and given that the two people who kindly turned up were not even on my original list, I decided not to continue with the group at the time.
I still believe that there is a demand for this service, because many writers who wish to self-publish do not understand what editing for publication is all about, although many are coming to realise what it means, and how much work is involved. It doesn’t matter what anyone says; a writer cannot truly edit their own work. Having made the transition from writer to editor and having undergone the necessary training to carry out that task, the reasons why are obvious, but these are not always apparent to the independent writer.
It is a universal truth that nobody has to read a novel. Just because a writer spends four years, or four weeks, writing a story, it doesn’t mean that a prospective customer is going to like it enough to spend money on it, especially if it hasn’t been edited or typeset professionally. But, in order to be able to use that service, the independent writer has to invest hundreds of pounds in preparing their work for publication, with no guarantee that they will recoup the outlay from sales of their books. It’s a risk; a gamble, but has far better odds than simply publishing their raw text – which without professional editing, their hard work will always be…
Hence the reason for my desire to set up a local group. I would still like to be able to share what I have learned about the editing process with independent writers, face-to-face, so they can enter into self-publishing with a complete understanding of what editing for publication is all about. If nothing else, passing on some of the transferable skills to the writer will certainly make my job easier (maybe even cheaper!). However, as I have mentioned previously, an ongoing family illness prevents me from having much time to pursue this, unless I change the way I carry out my day-to-day editing, which is also on the cards at the moment.
Watch this space. 🙂